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Pet peeve: folks who identify the neoliberal techno-utopian california-ideology currents with cyberpunk. To the extent that the cyberpunk literary movement had consistent politics, they were critical of Regan-flavored capitalism.

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story idea: a fringe political party backed by organized crime controls a network of seemingly-independent roadside palmistry shops & new-age stores – organizing fortunes & stocking books in a plan to manipulate voters

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Hot take: politics is normal interpersonal drama writ large. Anything done in public is political, and anything done in private is political if it’s repeated often enough, by one person or by many independently.

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I feel like I’m repeating myself when I say: knowing the ideological diversity of your enemy is TACTICALLY USEFUL because, when observed closely, any group large enough to be politically powerful is full of hidden fault lines and tense cease-fires

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In a thousand years, we’ll all have protruding foreheads because of the growth of the prefrontal corpus, a dunbar number of 10,000, and internet forums with polite behavior despite lack of active moderation.

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TBH there is nothing more cyberpunk than a world where actual politically-relevant cyberpunk literature is forgotten while shitty shallow corporatized versions with awful politics are blockbusters.

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the political spectrum is a horseshoe crab: ancient, ugly, full of blue blood that contains poorly-understood enzymes that might cure some kinds of cancer, and frequently leaving its molted shells along the north atlantic shoreline of north america

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Optimizing for anything other than human happiness seems like a recipe for misery. Of course, no existing political system really seriously attempts to optimize for human happiness.

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People make the obvious comparison to Blade Runner, but seeing as how Blade Runner is a famously shallow & aesthetically-focused adaptation that strips the social & political elements from its source, Altered Carbon comes out the winner here

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I feel like Netflix’s adaptation did a pretty good job of keeping that social & political focus, and even frontloading it a little bit by injecting backstory from the second and third books.

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