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MfoM is like Groundhog Day meets The X Files, while Happy Death Day is more like Groundhog Day meets Scream. (Actually, less like Scream than Happy Birthday to Me, but nobody’s seen that one.)

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I’d like to play a horror game that’s lit like Suspiria is during its most extreme moments: backgrounds & characters in bright monochrome washes, a cypher of harsh shadows, as though lit by single-point neon.

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COOKING TIP: if you are frying literally anything, fry it in a lot of butter and then add like a sip of beer (preferably dark beer, like a tripel or a double-ipa). It makes the flavor a lot more complex

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Are there sports video games that, RPG-like, allow a user-created character to progress by getting access to better personal trainers & medical support by winning games while in constant fear of breaking their legs?

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Digi & Geoff fighting is like Grant Morrison & Alan Moore fighting. Their criticisms of each other are accurate but comical because they make basically the exact same mistakes.

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Nadesco is a cynical mecha parody about how genuine & unironic straight mecha is good & cool actually, because exactly the things that make it cheesy make it valuable. Wholesome themes like solidarity in the face of difficult odds are cheesy because they should be obvious (but aren’t).

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Unusual core features for a dream language for small computing: MUMPS-style disk persistence of otherwise normal variables indicated by sigils, go-style piping between coroutines or greenthreads, message passing & guards like erlang, parsing backtracking like icon, constraint solving like prolog

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Something that people keep forgetting about GitS: in every iteration of the franchise, full-body prosthetics are extremely rare. Cyberbrains are common, but suggesting that everybody with a cyberbrain has a prosthetic body is like saying everybody with a modem has full home automation.

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Responses to my essay ‘Tech’s Masturbatory Historiography’ make me think that most people reading it don’t know what ‘historiography’ means. (It’s exactly what it sounds like…)

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Lately I’ve been seeing a lot of cold takes by people who think they’re hot. Like, long-form explanations of how “you aren’t required to agree with film criticism” and “reading should be a pleasurable, low-pressure activity”. Am I just disconnected?

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Progress report: the current build of Manna for our Malices should actually be playable to completion. Gotta double-check, but in theory everything should be reachable. Remaining work: fill in fluff like the rest of the school day.

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Periodic reminder that, by using third party trackers, you are paying somebody to grep their http access log instead of greping your own. So, like, maybe roll your own analytics if you need them?

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Re: code – keep throwing it away and rewriting from memory until implementing it doesn’t seem like a big deal anymore. At that point, it might be marginally OK. (Or maybe you’ve just acclimated to your failures.)

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Teleconferencing is like being on IRC, if everybody was a noob, two people typing at the same time made both of their posts into gibberish, and half the channel has a cat on their keyboard the entire time.

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Is there a term for absurd euphemisms constructed for censoring dialogue for television – like ‘melon farmer’ and ‘this is what happens when you meet a stranger in the alps’? Is there a database of them?

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Hot take: like most things that are good, Cowboy Bebop is mostly good because they stopped making it before it became bad. (If you don’t believe me, watch the movie or read the tie-in manga.)

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Remember: if a family member asks about your politics this thanksgiving, tell them you’re an anarchist & would like to abolish the concept of money. It’ll shut them up and it’s probably even true.

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Conspiracy theories are the result of the same legibilitization process described in ‘Seeing Like a State’: it replaces actual mechanism with a simpler one & drops details that don’t fit, for the sake of ease of representation

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One of those cult cinema distribution companies owns an actual video store – and it’s only like an hour or two from my house. I’ll have to make a trip out there at some point…

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In one sense, ‘the computer revolution is over’ because the period of exponential growth behind the tech ended 10 years ago. In another sense, it hasn’t begun: we have sheltered ourselves from the social and intellectual ramifications of computing. Documents are still simulations of paper, & capitalism still exists. So it’s like that period where printing presses existed but everybody used a faux-calligraphic font.

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